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About The Author  
Carol Fertig

Carol Fertig
I have been active in the education community for 37 years and involved in gifted education for the past 18 years. At various times I have been a classroom teacher, gifted education teacher, consultant, writer, editor, you name it. I live in Colorado, but also spend a fair amount of time in Chicago. I have two grown boys: one in Colorado and one in California. In my spare time I enjoy skiing, mountain biking, and golfing. I also like to read, go to plays, and watch foreign movies. Feel free to send me an e-mail.

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Articles from Art

Developing Talent in Artistically Gifted Kids

 
Jan Brett is a popular author/illustrator of children’s books. She is especially fond of drawing animals. At her Web site is a series of videos that could easily be used at school, at home, or through a homeschooling experience to encourage artistic talent.

From the time Brett was in Kindergarten, she knew she wanted to be an illustrator of children’s books. The videos include interviews that share how this talented lady became interested in drawing, and the events in her youth that inspired her. She also talks about how she gets the ideas for the books she publishes now.

In addition to the interviews, there are more than a dozen videos where Brett shows how to draw various animals and objects, breaking down the process into small, easy-to-follow steps. She includes a dolphin, rhinoceros, creature of the deep, lion, baby polar bear, hedgehog, chick, African okapi, bunny, elephant, horse, and Siberian husky.  

This Web site is an excellent resource for students who want to do an in-depth study on a children’s author/illustrator. It could also serve as an inspiration for those who would someday like to publish their own work.
 
After watching the videos, students may want to create their own illustrated books for fun.

Trends in Gifted Education

 
The NAGC (National Association for Gifted Children) Convention was held in November. Each year, I like to read through the entire catalog of presentations so that I can form general impressions about categories that were considered important.
 
Disclaimer: I do not have access to information about presentation proposals that were submitted nor do I have information about how the presentations were chosen. I do not look at this information to make judgments; only to observe trends.
 
Like everything else in society, certain topics wax and wane. Someone else may interpret this very differently than I do. But, for the record, this is what I see.
 
Some of the topics that were considered top priorities in the past 10-30 years that I see no longer getting the same attention include
  • Underachievement
  • Multiple Intelligences
  • Pullout/enrichment
  • Advocacy
  • GT resource teachers
  • Affective issues
  • Identification
  • Learning Styles
  • Differentiation
  • Theory of giftedness
Topic trends that I do see increasing are
  • The integration of technology into the curriculum rather than treatment as a separate subject
  • Interest of programs on an international level (in fact, at the NAGC convention this year, a strand was added titled “International”)
  • Special schools and programs
  • Less talk about specifically meeting the needs of the gifted and more emphasis on the need for an increase in general academic rigor, including the need to let students advance at a faster speed
I would love to hear the ideas of others on these trends. You can always leave a comment at this blog entry or email me if you would prefer that others do not see your comments.

SAT Exam, Taken at Age 13, Can Predict Career Path of Gifted


A new study from Vanderbilt University finds that the future career path and creative direction of gifted youth can be predicted well by their performance on the SAT at age 13. The study offers insights into how best to identify the nation’s most talented youth, offering opportunities for educators and policymakers to develop programs to cultivate these individuals.

The current study looked at the educational and professional accomplishments of 2,409 adults who had been identified as being in the top 1% of ability 25 years earlier at age 13. Significant differences in the creative and career paths of individuals were found, with those showing more ability in math having greater accomplishments in science, technology, engineering, and mathematics, while those showing greatest ability on the verbal portion of the test going on to excel in art, history, literature, languages, drama, and related fields.

The key was to administer the SAT at a young age. When students take the test in high school, the most able students all score near the top, and individual differences are harder to see. Using the test with gifted students at a young age creates the potential to help shape that person’s education.

Overall, the creative potential of these participants was extraordinary, with individuals earning 817 patents and publishing 93 books.

With this knowledge, the policy question becomes: How best can we support these individuals, especially during their formative years?

 For more information, see:

Using Search Tools on Prufrock’s Gifted Child Information Blog

You may have noticed that the format of this blog changed a bit recently, and I want to make certain readers understand the search possibilities available. This is the 120th weekly blog that has been posted in more than 2 years, so there is a lot of information here. There are two ways to search.
·         Categories—In the left column of the web page, you will find a section titled Categories. Within that section, you will see a list of more than a dozen subjects. If you click on any of these, all the articles that fit into that grouping will appear.
·         Search—You can also search for words, phrases, or topics you do not see listed under Categories. With the new format of the blog, you will need to sign in to use the search function. There is a section on the upper right where you can register. Your user name and password are case sensitive.
 
Example—You might want to search on “underachievement.” To do this, click on the word Search either at the bottom of the Categories list or near the top of the page. Once you do this, a number of boxes will appear and you can fill in the appropriate information. (You do not need to fill in all the boxes.) Click on Search, and all of the articles will come up that meet the criteria you entered.
 
These are great tools, so make sure you take advantage of them.

Artistically Gifted Children

Friday, April 20, 2007 - by CFertig - 759 Views - 1 Comments - Category: Art, Parents and Educators
 
How can parents and teachers assess whether a child is artistically gifted? In Identifying Artistically Gifted Children, Willemina Foeken does a commendable job of summarizing research, listing characteristics of artistically gifted youth, and offering recommendations for parents and teachers.
 
Foeken believes that artistic talent does not normally reveal itself as early as musical talent. When looking at the childhoods of great artists, we find that the earliest known painting of Rembrandt was done at the age of 19. Although Leonardo da Vinci took up art at the age of 15, all his great work was done after the age of 40. Matisse and van Gogh didn’t start painting until they were in their 20s.
 
Foeken feels that the most remarkable work on artistically gifted children has been done by C. Gaitskell and V. Lowenfeld who both conducted many long-term case studies. In searching the Internet, I found that it is not easy to find information on these two experts. One might have to go to a specialty library to find them. However, Foeken summarizes the characteristics that Gaitskell and Lowenfeld use to identify children as being artistically gifted. They are
 
  1. Artistically gifted children show fluency of imagination and expression. These children can’t get their ideas down fast enough. They don’t need stimulation. One idea leads to another.
  2. They might have a highly developed sensibility in certain areas. For example, movement, space, rhythm, color. (One small boy I taught was only interested in tempera paints and lost interest if other media were used. Another child drew only figures showing a lot of movement or action.)
  3. They show integration of thinking, perceiving, and feeling.
  4. There is a distinctive quality to their imagination. These children have faith in their ideas and don’t find the need to copy.
  5. There’s a directness of expression. The gifted child can be very expressive but only if the experience motivating him or her to paint, has been personally meaningful. Such a child rarely responds well to classroom activities where the teacher sets the topic.
  6. There is a high degree of self-identification with the subject and the medium. Artistically gifted children live their art. They are in their work. It is part of them. Even the medium is often like an extension of the fingers. Their work is intensely personal and shows an inner need for visual expression.
  7. Most of these children draw well before the age of 2—usually by 15 months if given the chance.
  8. They are always above average in intelligence. Although studies indicate that all those gifted in art score well in IQ tests, the reverse is not always true. Many with high IQs are below average in art!
  9. All show extraordinary skill with the medium.
  10. There is usually a sensibility for design.
  11. Each child is highly individual and inventive.
  12. The artistically gifted child works frequently on a favorite art form. No encouragement is needed. (Foeken, 2005)
Foeken offers recommendations for parents and teachers of artistically gifted children, based on both Lewenfeld’s suggestions, as well as her own. They are
 
  1. Regard your child’s art as a record of his or her personality.
  2. Don’t put too much emphasis on the end product.
  3. Display the work of all of your children—not just the one best at art.
  4. Teach your child to respect the work of others.
  5. Don’t correct wrong proportions.
  6. Don’t encourage competitiveness in art.
  7. Provide your child with an appropriate space for work and suitable materials.
  8. Send your child to art classes.
  9. Don’t show children how to paint.
  10. Allow experimentation.
  11. Provide a range of materials and experiences to suit as many children as possible.
  12. Avoid the trap of over-teaching. Teachers need to know when to assist and when it is best to leave children alone. (Foeken, 2005)
Foeken also says not to be concerned if, as a parent, you know very little about art. Some of the greatest artists also had parents who knew very little about the subject. She advises parents to burn all coloring books and “how-to-draw” books. Do visit art galleries with children and make them familiar with the art sections of the library. “Above all, enjoy your child’s creativity but don’t make a great fuss over it.”

Smithsonian Resources for the Gifted

Sunday, March 04, 2007 - by CFertig - 472 Views - 0 Comments - Category: Art, Parents and Educators, Reading-Writing-L.A., Science, Social Studies, Technology
 
In 1826, James Smithson, a British scientist, drew up his last will and testament, naming his nephew as beneficiary. Smithson stipulated that, should the nephew die without heirs (as he would in 1835), the estate should go “to the United States of America, to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men.” Since its founding, the Smithsonian Institution has grown to be the world's largest museum complex and research organization. The Internet has enabled the institution to grow even more and avail its resources more readily to people around the world.
 
A specific area of the institution’s site, Smithsonian Education, is of particular interest to gifted students, their families, and educators.
 
The section for educators (my favorite) includes extensive lesson plans and suggestions for uses of technology in the classroom. (Currently, the Web site shows how student podcasting can be used as a learning tool.) Lesson plans are divided into the categories of Art & Design, Science & Technology, History & Culture, and Language Arts. The many lesson plans and resources within each of these categories can be used as wonderful differentiation tools. Individual or small groups can be formed to investigate the various subjects, using primary sources on the Internet. The wonderful part is that it’s free and already developed for teachers.
 
The family section provides information for those who want to visit one of the museums in person. It has suggestions for before, during, and after activities to make a family visit most enjoyable and educational.
 
The section for students includes many interactive modules to help young people learn in the areas of Everything Art, Science & Nature, History & Culture, and People & Places. You might want to spend a little time looking at this section. Although there are activities for many different levels of ability, it may take a little hunting to find a section that is most appropriate for your student. 
 
In addition to the Internet resources, Smithsonian Education also offers a free e-mail newsletter that is filled with interesting information. You can view a sample copy before signing up for the newsletter.
 
This may be one of the best distance learning sites on the Internet.

Gifted Young Artists

Friday, August 18, 2006 - by CFertig - 382 Views - 0 Comments - Category: Art
 
How can we as adults judge the artistic ability of young people—or should we be judging it at all? Does the rendering of realistic artwork when a child is young indicate that she has an artistic bent or is she just copying what she sees in her environment? What does it mean to be a gifted artist?
 
A very interesting exhibition, titled When We Were Young: New Perspectives on the Art of the Child is on display at Washington’s prestigious Phillips Collection through September 10. The exhibition will also run from October 20 through December 31 at the Krannert Art Museum at the University of Illinois at Urbana-Champaign.
 
Jonathan Fineberg is the curator of this exhibition of works by Pablo Picasso, Paul Klee and other famous artists that were created when they were very young. Fineberg hung their works alongside dozens of richly imagined drawings and paintings by modern kids, ages 4 and up. In the article Artwork by Kids, Some Later Famous, Rates a Show of Its Own, Fineberg offers some interesting insights on the misconceptions of many adults about young artists and also the development of artistic talent in kids. Among other things, he suggests that
  • The demonstration or non-demonstration of artistic ability at a young age is not necessarily a predictor of one’s abilities as an adult.
  • Those with real talent are often obsessed with drawing. It’s difficult for them to stop and do something else.
  • Art can help a child express and examine things that they can’t put into words. In a sense, it helps them to gain control over their environment.
  • Adults need to be careful not to impose their values and aspirations on a child and her artwork.
  • Some feel that by the time a child is 10 or 11, he often loses his gift for drawing imaginatively. By then, he has figured out the rules and standards of the larger world and is trying to please others.
  • Instructions should not be given a child in the realm of her fantasy.
  • Kids who are four and five often are so unrepressed. They reveal inner feelings in their art that we try to deny ourselves.
  • Adults can get very wrapped up in their own kids. Parents must be careful not to push a child into a place that the child doesn’t want to be, such as showing off or exhibiting his work or selling it. It is easy to do this because the parent has put too much of his own ambition into the child.
  • Buy lots of cheap paper so you don’t feel like your kid is wasting it.
  • If a child’s perfectionism is too great, they may be trying to please you or themselves too much. If that is the case, you need to talk with them about that.
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