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About The Author  
Carol Fertig

Carol Fertig

I have been active in the education community for more than 40 years and involved in gifted education for more than 20 years. At various times, I have been a classroom teacher, gifted education teacher, consultant, writer, editor—you name it. I live in Colorado, but also spend a fair amount of time in Chicago. I have two grown boys: one in Colorado and one in California. In my spare time, I enjoy skiing, mountain biking, and golfing. I also like to read, go to plays, and watch foreign movies. Feel free to send me an e-mail.

I am also the author of Raising a Gifted Child: A Parenting Success Handbook. This book offers a large menu of strategies, resources, organizations, tips, and suggestions for parents to find optimal learning opportunities for their gifted kids, covering the gamut of talent areas, including academics, the arts, technology, creativity, music, and thinking skills.

Raising a Gifted Child

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Questions about Child Prodigies

 
 
How Can You Tell If Your Child Is a Prodigy? features 8-year-old Autumn de Forest, who has developed into an early artist. Her 4-foot-by-5-foot canvases sell for as much as $25,000. Her talents were discovered quite by accident when she asked her father if she could use some leftover stain and wood from a home project on which he was working. You can see a video clip of Autumn discussing her art and view samples of her paintings.
 
If child prodigies were never given the opportunity to discover their talents, would we know that they had the potential to excel? Is the same not true for young people who are very bright but not prodigies? By exposing a young person to as many physical activities, intellectual undertakings, and art forms as possible, you may find an area or areas where that child will excel. Even if the youngster doesn’t excel, she will still be better off for being exposed.
 
When we think of prodigies, men’s names often come to mind. One doesn’t hear the names of women as often. Lynn T. Goldsmith explores this and other issues in her paper titled Girl Prodigies, Some Evidence and Some Speculations. Goldsmith cautions us when she states that prodigies are notable for their rapid mastery, but not necessarily for their lifelong contributions to the field. Many prodigies burn out and do not make the contributions as adults that we expect. Conversely, most original adult contributors were not necessarily prodigies themselves.
 
Questions:
  • Will a child naturally excel in an area or is it necessary to first expose him to that particular area of study?
  • What is our obligation as adults to expose children to a wide variety of interests?
  • Why are we far more aware of male prodigies than female prodigies?
  • Since child prodigies don’t necessarily go on to produce as adults, does that make them just curiosities or something more important?
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